“What’s Hot, What’s Not, What’s Next”

Here is the review of this week’s Fall II/Holiday LA Market Week from Apparel News.

Reports Mixed at Holiday Market in Los Angeles – Fashion and Apparel Trade Show Coverage | California Apparel News.

As the article says, I found there was mixed feedback from showrooms on buyer activity. June market is one of the slower market weeks of the year along with August.

The Cooper Building was by far the busiest of the buildings foot traffic-wise. The Cooper is now THE place to be if you are a contemporary collection. It has wrested away the mantle of premium showroom location held for so long by the New Mart.

The Designers & Agents show on the 3rd floor of the New Mart was about half full of booths. Foot traffic was OK. There were lots of accessories booths this time.

The men’s and women’s contemporary floors in Cal Mart were slow when I was there. The Focus apparel show and Transit shoe show in the 13th floor event space had some foot traffic.

We now enter a doldrum period for buying contemporary fashion. Things will start moving again as we approach the launch of the Spring/Summer ’13 collections at the Las Vegas round of shows in August. I can’t wait!

Paul Brindley

paulbrindleyconsults.com

I’m back in Los Angeles from Sydney after three very busy weeks attending Mercedes Benz Fashion Week Australia (MBFWA), doing follow up meetings with designers, manufacturers, industry people, and sales and PR agents, while catching up with important friends and contacts in the Australian fashion world.

My plan this year was to blog everyday of the show rather than put out a long post-show review. I did get a Day 1 recap done. But despite best intentions, I was just way too busy. So settle in for a bit of a read.

Between attending runway shows, meeting with designers and manufacturers, and their sales and PR agents in the suites of the nearby Shangr-La Hotel, and participating in the business matching program coordinated by the New South Wales State Government, Department of Trade & Investment (NSW T&I) in conjunction with the Australian Trade Commission (Austrade) and the Council of Textile & Fashion Industries of Australia (TFIA), and finding time to network and make connections in the VIP hospitality area, I rarely stopped to eat let alone blog. Even my tweets and FB posts dried up.

I was also supposed to meet a delegation of Hong Kong designers promoted by the Hong Kong Trade Development Council but just didn’t have the time.

It was an exhilarating and enlightening week. I don’t agree with those who thought the majority of the collections were pedestrian. Sure, it would be great if all the designers involved were in the position to send out forward or avant garde collections to excite and provoke. We are in times when people need wearable clothes at reachable price points. I’m not sure what some of the critics don’t understand about the designation, Ready To Wear.

I thought the layout and organization of the show was better than last year:

• The addition of the enormous tent in the parking lot of the main venue (The Tent), the Overseas Passenger Terminal (OPT) at Circular Quay took the pressure of the upstairs space where one of the runway venues (The Box) is located. The larger shows were done in The Tent which allowed The Box to be used for innovative installation type showcases such as Gail Sorronda, Flowers For A Vagabond and Akira.
• The Tent also greatly reduced the foot traffic and bottle-necking of show attendees and delegates on the upstairs main floor which allowed for a large media center and a bigger cafe with a significantly expanded seating and meeting area.
• There were less promotional booths in the upstairs area which again created more space. Last year, collections were showcasing out of booths configured across the floor.
• This year the Showroom Suites were located in the Shangri-La Hotel, just a short walk up The Rocks from the OPT. Last year, they were a 20 minute uphill walk away at the Westin Hotel in the CBD.
• Access to the VIP bar was monitored much more carefully. Last year, there were times when half of Sydney was trying to get a drink. It made it very difficult to get productive networking done. This year was much more comfortable.

I think the only aspect of the organization that was not as smooth as last year for me was the online “portal” system for gaining access and seating preferences for the runway shows. Last year, the international delegates were “parachuted” directly into great seating for requested runway shows by IMG staff. As a result, I got first and second row seats for just about every show I wanted to attend. This year the approval and seating of all attendees was done by the designers and their PR and/or sales agents. The lack of preferential treatment meant I didn’t get into some of the most sought-after shows, and my seating allocations were well back from last year. Fortunately, I am luck enough to know the person I call “The Guru of Fashion”, the brilliant bon vivant Nicholas Huxley of The Fashion Design Studio at the Sydney Institute TAFE. Nicholas made a call, and doors opened. Thank you again, Nicholas. More about “The Guru” later.

Day 2

The brilliant Toni Maticevski opened Day 2 of MBFWA in The Tent. This was one I couldn’t get into. I saw Maticevski at Carriageworks last year, and rated it one of the standout shows of the week.

My first runway was the always evocative Flowers For A Vagabond. Last week, Ragtrader magazine described the Spring/Summer collection thusly, “Flowers for a Vagabond has dubbed its spring/summer 2012/13 collection ‘Desirable Darkness’. The collection graduates from dark to bright with a signature tattoo style print presenting continuity throughout. Richly textured, it features contrasting silk chiffon with leather panels and piping and layering metallic tassels with tailored pieces.” Couldn’t put it better myself. I met with Toby Mclean, the designer and his PR firm, Click Communications after MBFWA. Hopefully, FFAV will be available in US stores in the near future.

The gorgeous flowing styles of Talulah were next. Talulah is now represented my Melt Management with showrooms in New York and Los Angeles.

Toi Et Moi Sydney opened their show with the owner, Gill Lawrence’s young daughter beautifully singing in French accompanied by her father on guitar. Gill also owns the collection, Mad Love.

I missed the Jayson Brunsdon show on Tuesday evening believing I had seen the collection at the Fashion Palette show the week before MBFWA. But when I met with Jayson and his sales manager after the show I found out that they had shown Fall/Winter at Fashion Palette for some reason. I am looking forward to seeing his SS 12/13 lookbook. Here is a shot of Jayson’s creations at Fashion Palette.

Instead of Jayson’s show, I made my way to the hip Victoria Room in Darlinghurst for the launch of the brilliant young couture designer Nomiki Glynatsis‘ Spring/Summer collection of couture jewelry and gowns entitled “Essence of An Enchantress”. Moet champagne, delicious hors d’oeuvre live piano accompaniment, interesting people, and gorgeous jewelry and gowns made for a fun, glamorous evening.

Day 3

The first half of Day 3 was crammed with meetings. Oroton was my first runway show of the day. The iconic Australian brand launched it’s first full ready to wear collection at MBFWA. The collection has a crisp, fresh, preppy look with separates in scarf prints, short dresses and jacket edging in Oroton’s classic shimmering metal mesh (the handbags, purses and wallets were synonymous with Australia in the ’70’s & ’80’s), and lots of color – blues, purple, orange, yellow, nudes and neutrals.

My next runway was one of the peoples’ favorites of the week, Watson X Watson. The sister team of Liberty and Somer Watson have created a sexy, uncomplicated, wearable collection that is creating buzz in Australia and internationally.

FabSugar put it best, ” … As their collection hit the runway you could almost hear the collective gasps from the crowd at what was a revelation of epic fashion proportions — these were clothes every woman craves to own, and wear, on a daily basis. For the working woman, soft tailoring and fuss-free silhouettes were on offer in crisp white and nude, while evening wear was presented with sequins, lace and plunging necklines in everything from dresses to jumpsuits. Weekend wear took a sporty turn thanks to utility-style jackets and relaxed florals, and the palest of pinks lent a feminine edge to slim-fit pants, relaxed tees and slouchy knits. Whether you like your silhouettes kept tight and sexy, or prefer something slightly more oversized and exaggerated, Watson X Watson delivers the goods, and then some.” The crowd went nuts after the show.

I am sure we’ll be seeing Watson X Watson retailing in the US very soon. A US distributor or showroom would be wise to snap up the collection ASAP.

As well as their women’s collection, Kooey Australia debuted their first full men’s collection along with Kooey by Sherri-Lee, a diffusion line designed by current Miss Universe Australia, Scherri-Lee Biggs. The color and prints of the women’s collection were highlighted by the Aboriginal-inspired dot prints in gorgeous blues that had you dreaming of a hot summer’s beach day.

Day 3 ended with The Men’s Show showing looks from designers Zsadar, Nathan Paul Swimwear, Injury, From Britten, Kalb & Etiw and Mils.

My favorites were Zsadar, Nathan Paul Swimwear and Kalb & Etiw.

Zsadar’s black on black and greyscale palette, asymmetric hems, drop crotch pants and button down shirts was fashion forward and wearable. Talented young Perth designer Shane Newton’s collection has huge potential, especially in the European market. I look forward to following his progress.

The Nathan Paul Swimwear got the crowd going with the models freelancing with poses and crotch grabbing at the end of the runway. Designer Nathan Lodge is thinking out of the box with his styles for men and women. The Dia de Los Muertos (Day of The Dead) prints will be a hit in Australia. His swim brief for men is one of the best I have seen. Polos, unisex shorts and a sweet jacket for women round out the sexy swim styles. Nathan has gone the extra mile by using Australia’s now famous androgynous model, Andrej Pejic. Andrej debuted on the international catwalk scene in theJean Paul Gaultier’s Spring 2011 Men’s Show.

Keep an eye out for my Day 4 & 5 review over the coming days. If you see anything in this blog that you want to know more about, please contact me at: info@paulbrindleyconsults.com.

Paul Brindley

paul brindley consults

Here is an article in The Australian on the continuing growth of menswear in Australia. I think the same can be said for the US.

Loosening ties | The Australian.

The fact stated early the article says it all – “In December, US management consultancy Bain & Co revealed that the luxury menswear sector, which makes up 40 per cent of the global market, was growing nearly twice as fast as womenswear.”

While it talks about luxury menswear, I believe there is a groundswell of change in how men are dressing themselves in Australia and the US. Basically, men are caring more about how they look. Has the lead come from the influence of metrosexuality? From the style crossover trend in fashion at present? From the more structured look in womenswear leaving men juxtaposed as slobs? Remember that men dressed better in the 80’s pulled along by the structured, more dressed and innovative womens’ styles of the times. Since then, your average guy has struggled to get past the Nirvana garage-look.

The article maintains, “We are seeing this area as a key growth area of our menswear business. We believe this new confidence has come from greater exposure to global trends through things like the growth of online retail, lifestyle sites and reality television. They are now far more aware of what is going on and are in tune with trends overseas, embracing them and a new way of dressing. We saw this start with accessories, but now we are seeing this expand into our ready-to-wear business, with men favouring bolder fabrications and slimmer suits.”

Whatever the reason, I’m glad we are here.

Paul Brindley

paul brindley consults

Here is an excellent article from Apparel News about the benefits of manufacturing in Central America (similar can be said of South America, e.g. Colombia).

China is getting relatively more expensive all the time. C. America is in roughly the same timezone, it is much closer in time and space, the quality is good and if you choose the right country, your goods won’t have to climb the tariff wall.

Something to definitely think about.

Central America Trying to Capture China’s Business – Fashion Manufacturing News | California Apparel News | LA Fashion.

Paul Brindley

paulbrindleyconsults.com

Check out the link below for some awesome new technology in apparel and accessories.

If you were wondering where fashion is heading, it is in the technology of the apparel. There aren’t anymore colors to invent, and I don’t see myself in a Star Trek onesie … do you?

So it’s the technology … like the cut resistant or self cleaning fabrics in the infographic. I like the spray on clothes myself … hmmm, I wonder which can I’ll wear today?

Wearable Tech: Welcome to the Future of Fashion.

Paul Brindley

paulbrindleyconsults.com

It turned out a cloudy day at the Overseas Passenger Terminal at Circular Quay in downtown Sydney for Day 1 of Mercedes Benz Fashion Week Australia (MBFWA).

The first runway of the day for me was Lisa Maree. The collection is a sexy mix of swim and ready-to-wear. I loved the colors, prints, use of crochet, hints of leather and how the collection flowed together.

Melt Management represents the collection in the US. Melissa Trovato, the Principal of Melt, is a good friend of Lisa Maree’s and introduced us by email. I made sure to meet the tall, gorgeous designer and her equally gorgeous young daughter after the show.

From the bright Lisa Maree, I went into the dark of art installation showcase by fashion forward designer, Gail Sorronda. No runway here. Models slowly moved conveyor-like from one podium to the next as they made their way around the vee of the installation in front of screened imagery. Oh My Goth was the theme. Still there was plenty of bright and fluoro colors in the collection. The models’ make-up and hair was brilliant.

The Miss Unkon show revealed a softer, more feminine collection compared to last year’s tribal motif.

Aurelio Costarella blew the room away with his classic collection of beaded, embroidered eveningwear in a subdued palette. The crowd certainly wasn’t subdued as Aurelio received a rousing ovation as he walked between his creations.

In between runways, I filled the day with client meetings at The Hub and collection viewings at the nearby Shangri-La Hotel. I reconnected with many of the industry folks I met last year.

All in all, an exhilarating and exciting day was had by all. The rest of the week promises much, much more.

I hope you enjoyed my tweets throughout the day – @pbconsults

Paul Brindley

paul brindley consults

I woke up to a beautiful Sydney Monday morning streaming through the window of my good friend’s Surry Hills apartment that I’ll be calling home for the next three weeks. I’ve been in town since very early Thursday morning. Mercedes Benz Fashion Week Australia (MBFWA) starts this morning. I’ll be there all week. The following two weeks are filled with client meetings and networking.

Despite a smooth, sleep-filled flight aboard a comfy Qantas A380 (they might have cracks in their wings but they top the dear old 747’s handily), I was completely zonked Thursday as I moved through a day of work and logistics trying desperately to stay awake and avoid extended jetlag. If you need stimulation while trudging along on hazy autopilot, there’s no more appealing and vibrant place than Sydney.

Thursday and Friday were spent at Fashion Palette, a high-end showcase of Australian designers held at the exceptional Carriageworks event space in Redfern … more about the show in a separate blog in the coming days.

MBFWA is Australia’s premier fashion week that provides a platform for designers to showcase their collections to the world’s most influential media and buyers. MBFWA claims the mantle of the Asia Pacific’s stop on the international fashion week circuit joining Paris, Milan, New York and London.

Spring/Summer 2012-13 will be breaking. It is an extremely important week for me. I get to watch the runway shows of the latest collections from some of Australia’s most established (such as Bec & Bridge, Oroton, Toni Maticevski, Ksubi, Kooey, Zimmermann) and emerging designers (Ode To No One, Toi Et Moi Sydney, Akira, Watson X Watson). I meet with designers and their sales and PR agents and view their collections in the suites of the nearby Shangri-La Hotel. And very importantly, I meet and network with the movers and shakers of the Australian fashion industry.

I’ll be taking part in the excellent business matching program being coordinated by the New South Wales State Government, Department of Trade & Investment in conjunction with the Australian Trade Commission (Austrade) and the Council of Textile & Fashion Industries of Australia (TFIA). I’ll also be meeting a delegation of Hong Kong designers promoted by the Hong Kong Trade Development Council.

I’ll be attending some off-site showcases of designers who aren’t on the official schedule but are taking advantage of the buyer activity and general buzz generated by MBFWA to launch their Spring/Summer collections and announce themselves to the world.

The official five-day schedule is centered at the Overseas Passenger Terminal (OPT) at Sydney’s fabulous Circular Quay. If you have never been to Circular Quay, it is one of the most spectacular big city vistas anywhere in the world. With the CBD at your back, Sydney Harbor Bridge on your left, the Sydney Opera House on your right, and the unparalleled Sydney Harbor lapping at the quay, you are in the heart of the historic Sydney Cove. The OPT is appropriately on your left as you head toward “The Coathanger”.

It’s going to be a very busy and exciting week. I’ll be blogging and tweeting constantly so stay tuned.

Paul Brindley

paul brindley consults

The Spring/Summer 2013 Los Angeles International Textile Show (a.k.a. LA Textile) had the California Market Center (CalMart) in the downtown Fashion District jumpin’ last Monday, Tuesday and Wednesday. LA Textile is the largest textile, trim, design and production resource trade show in the United States in both size and variety of resources. The Spring/Summer show is held in March. The Fall/Winter show is in October.

My bestie and pbc colleague, Tracy Engelien (owner of the brilliant Boxie) and I had planned one of regular LA store scouting excursions for the Monday. We spent the first half of the day on the Westside in Venice and Santa Monica before heading downtown to walk the show and take advantage of the excellent seminar program that is presented by the show participants and the leading trade associations. This was my first time attending.

Tracy was particularly interested in the “Creative Vision: Spring/Summer 13 Trend Seminar” by highly regarded UK trend forecaster, Mudpie. Unfortunately, it was canceled. We are supposed be getting the presentation emailed to us.

I had signed up for Fashion Business Incorporated‘s (FBI) “LA State of the Apparel Industry Report” seminar. The research report which was sponsored by Los Angeles Department of Water & Power was presented by the supervising researcher, Peter Kilduff, Professor and Chair of the Apparel Merchandising and Management Program at Cal Poly Pomona. It sounded like a fascinating seminar, and it didn’t disappoint. The room was full, and the Q&A could have gone on all night. Sorry for the tease but I’m working on an extensive blog on the report and the seminar. I’ll try and get it out before I leave for the Mercedes Benz Australia Fashion Week in Sydney at the end of the month.

I like FBI. FBI is a non-profit organization that been around since ’99. It provides an excellent range of services to the fashion industry including entrepreneurial development, resources and training. Their seminars and panel discussions are well worthwhile – knowledgeable and insightful speakers, relevant and practical topics and the programs move along at a good pace.

Other seminars included topics like trends and directions for Spring/Summer 13 and Fall/Winter 13/14, purchasing, design, brand building, fabric development and innovation, and legal issues presented by partner organizations such as California Fashion Association, trend forecaster WGSN, fashion law specialists Fox Rothschild, LLP, and fabric innovator Lenzing.

Why attend LA Textile? As I said above, it is the largest, most diverse textile trade show in the US. It attracts more than 200 exhibitors from around the world showcasing fabric, textile, accessories and trim products, design and decoration resources, production tools, technology and sourcing, and the very important fabric, color and style trend forecasting resources. If you are a manufacturer, fashion or textile designer, interior decorator, architect, material supplier, trim or home textile retailer, distributor, fashion trend follower or a fashion student, LA Textile is for you.

The aforementioned seminars are a great value-add to the show. There are invaluable networking drinks at the end of each day. I never miss these because I always make new contacts, such as Jim Wallis, President of Montgomery Fashion Group from Australia. Jim was quoted in the official press release as saying, “We have seen many apparel makers and brands from the Western United States, Texas, and Florida. We’ve had great exposure at this Show and are very happy with the turn out.”

Registration is on the ground floor atrium, as was the Korea Pavilion in the Exhibit Hall. The rest of the show is held in the 13th floor Penthouse. The seminars are also held on the 13th floor. FBI held seminars in their 7th floor offices.

There was plenty of foot traffic, lots to see, the seminars were full, and best of all, it was a real learning experience. I would recommend checking out the next LA Textile show in October.

Paul Brindley

paulbrindleyconsults.com

To paraphrase Will Ferrell’s character, Mugatu in the fashion industry parody, Zoolander, “LA is really not hot right now”. That seemed to be the sentiment for many at this week’s Los Angeles Fashion Market Week.

In my blog from Day 1 of Market Week, I asked the question, “Where was everyone?”. The optimism generated at the Las Vegas trade shows and then in New York had us hoping for a bumper LA Market Week. It didn’t quite turn out that way. Foot traffic was choppy, feedback from showrooms was mixed, but buyers remain upbeat and optimistic. Don’t get me wrong. I am sure that a sustained recovery in the badly hit fashion industry is underway. I just wonder if LA will be up there leading the way.

The fashion industry is inherently cyclical – and not just in trends. The hotspots for fashion move with the trends. Los Angeles has had an extended period in the sun mainly due to the “dress down to dress up” trend that has become the signature LA chic. With more prevalent structure and tailoring now in the market, New York and Paris are eclipsing LA. Let me be clear, LA has never come close to those two cities in the fashion stakes but it has held it’s own over the past 10 years.

I think LA also suffers from buyer trade show fatigue. LA Market Week comes almost two months after Fall and Spring break each February and August in Las Vegas, and a month after the trade show roadshows move through New York. By the time, buyers roll up here they have seen most of what’s on offer twice at least. I had the owner of one very successful LA showroom half-jokingly tell me, “if this is what LA market is like, maybe we should stop having them. This should be a busy market for LA.” He agreed that there are too many trade shows back-to-back. As such, LA is becoming a big regional fashion week rather than a trendsetter.

All that said, there is definitely a need for LA Market, and if you are a designer or manufacturer, you definitely need sales representation on the west coast. There was plenty of business written during the week. I just think a lot more people expected to share in the love.

Designers & Agents

The d&a show on the 3rd floor of the New Mart had good energy and plenty of foot traffic. There were well over 100 booths with 150-175 brands on show. The show was freshened up by a sprinkling of new exhibitors.

Some Fall12 collections that caught my eye were:

• Christy’s London – National Sales Manager, Ben De Luca told me that wide brim floppy hats for women will continue to trend into Fall – the 60’s and 70’s looks aren’t going away soon. Men are going for a wider brim in fedoras after the short brim Mad Men-style craze. They were the styles that buyers were trying on as we were talking.
• IRO – this hip Parisian collection is rocking red and silver sequin bomber jackets with black leather epaulettes, shearling bomber jackets, and very cool shredded and distressed wool tees.
• Nigel Preston & Knight – an English collection that has been around forever is known internationally for it’s leather, suede and sheepskin collections. It makes you want to move to a cold climate just to wear their the raw leather and fur coats.
• Pip-Squeak Chapeau – this Indochine flavored collection of sheers, burlaps, and raw finishes is the epitome of intentional “high-casual” fashion. Chic, sophisticated tops, sweaters, jackets, pants, dresses, and skirts handmade in Brooklyn from 100% natural yarns and fabrics all have wonderful texture and purpose. I overheard one buyer describe the line as “well thought out” which is an intelligent departure from some of the adjectives used by buyers to describe collections.
• En Shallah – from Morocco, En Shallah is a unique accessories collection focusing on striking shoes and bags. En Shallah employs local women artisans to produce their one-of-a- kind pieces using recycled and reclaimed fabrics and materials, and natural vegetable dying and tanning processes. Their leather boots with vintage tapestry paneling and their distressed frilled bags using the same materials really stood out.
• Ticci Tonetto – this sexy and sophisticated collection was in the same booth as En Shallah (Nyali Showroom in the Cooper Building). The collection is named for the designer. Ticci has had great success for many years with her signature looks that have evolved over time. For Fall, Ticci is showing beautiful dresses in black and inky blue with corseting and boning as well as sexy camisoles and tops in lace and leopard print.

The d&a house DJ, Emma Ford was in great form over the 3 days. Emma spins for d&a in Paris, New York and LA, as well as at clubs around the world.

All in all, I think d&a was a success this time. Foot traffic in general in the New Mart building seemed a bit off this market but d&a still pulled plenty of interest. The now traditional Mexican fiesta at the end of the last day is always fun – margaritas, Mexican beer and food sent everyone off on a high with Emma’s beats jamming in their heads.

The Cooper Design Space

AKA “The Cooper Building”, The Cooper Design Space has taken over as the premier contemporary showroom building in the LA Fashion District. The New Mart had held this distinction for many years. However, the Cooper has become the home for the hottest, most fashion forward designers for men’s and women’s. With multi-line independent showrooms like Brand Equity, Namaste, Proper Fools, Community Service and Bond, and brands like Ted Baker, AG, Australia’s Ladakh, Wildfox, Trina Turk and the amazing Robert Rodriguez space, the Cooper has an aesthetic that the New Mart just can’t match.

I walked all the floors with good friend, Tracy Engelien of Boxie. There was a marked increase in foot traffic and energy over the New Mart. I will write more about the Cooper in a coming blog.

But I do want to mention a collection in one of the guest showrooms on the 3rd floor. Fiftytwo Showroom from New York was showing the truly inspired Jonathan Simkhai. I first saw the collection at Workroom in Vegas last August. It is one of my favorite of all the collections I have seen in the past year. Sexy and feminine with a classic styling, he mixes in accents of bright color against a dark palette with mesh cutouts and a wonderful sense of geometry.

The Lady Liberty Building

Elizabeth Hehir of SYDNY Showroom in the Lady Liberty Building was very happy with the week. SYDNY is an Australian designer specialist. They carry two collections that showed at Rosemount Australian Fashion Week last year – bless’ed are the meek and Flannel. blessed will be there again in May along with Aje – although now it is the Mercedes Benz Fashion Week Australia. I’ll be blogging from there starting April 30.

Elizabeth is having great success with Lilya. After doing very well at Workroom in Vegas, Elizabeth tells me, “its doing amazing business, and is really one to watch.”

“bless’ed is creating a lot of buzz. Sell through is strong. Stores are reordering within a week. Miley Cyrus bought 3 pieces of bless’ed at Westerly in Corona Del Mar.”

“Samantha Wills is doing phenomenal business in the first season with us. The presentation and packaging are special. There is so much bang for your buck.” I have met Samantha a couple of times through my involvement with the Australian community in Southern California. Samantha is an inspired designer and savvy businessperson, and very friendly and approachable. It is great to see the success her collection is having.

Well, that’s it for LA Market Week for March 2012. We didn’t get the business that everyone hoped for but the feedback was positive in general. The economy is definitely improving, albeit slowly. The fashion industry is cautiously improving along with it. A slow, steady, real economic recovery is what we need – no more of these bubble and burst nightmares. We’ll know a lot more by the next LA Market Week in June when retailers have had a full season to see how their Spring and Summer deliveries have sold.

As the Balinese saying goes, ‘slowly, slowly, catch the monkey”.

Paul Brindley

paul brindley consults

Related Blogs:

LA FASHION MARKET WEEK – DAY 1 – WHERE WAS EVERYONE?